The
As long as you gotta talk
You might as well look good
and get a good grade
Handbook
by Jeffrey Leaf
Thomas Jefferson High School for Science and Technology
Talking in front of a group is rated
as people's greatest fear. It doesn't have to be. Your mission is to impress
people and get a good grade. The mission really doesn't change much the
older you get. The grade may change form from a letter to a promotion to
a bonus, but it still is a grade. So, get these skills down now, then continue
to build on them and you will be successful. This handbook will focus on
four (4) aspects of oral communication:
-
Preparation
-
Basic skills in front of the audience
-
Visuals and their use
-
Basic non-verbal communication
To get started, look at the next page
of Myths. Accept the fact that you can be a good presenter and you need
to be. Begin using the techniques presented here, but realize that these
are skills. Just as in art or music or sports, skills cannot be mastered
by reading about them. You will become an accomplished speaker only by
doing it.
Mything Links
of Oral Communication and
Stage Fright
Myth :
I'm an engineer or a scientist or a writer or a most other professions.
I create stuff or fix stuff. Communication has never been a part of my
job description.
Reality:
Au contraire. Communication has always been implied in your job description.
For you and your organization to be successful, you must be able to communicate
to:
-
share your ideas within a team
-
explain your work to your boss
-
explain technical concepts to non-technical
people to sell a product, win a contract, win support for a project --
keep your job.
If you expect to advance into management, you'll
have to be a good communicator.
Myth:
Speakers are born, not made.
Reality:
Good speakers are confident. Planning, Practice and Perseverence develop
confidence. Plan, Practice and Persevere and you will be a good speaker.
Myth:
If I screw up, these people will think I'm a complete fool and I'll never
be able to face them.
Reality:
Nahhh. If you stumble, you can work yourself out of it. Finish well and
the stumble won't be remembered. You won't have to go into the Witness
Protection Program. Most people are more concerned with their own lives
to devote that much energy to you. Yes, you might actually look like a
fool --
for 30 seconds, at most. Lighten up! There's no scientific evidence
to support the fact that life is serious!
Myth:
If you are scared of talking to a large group, picturing the audience wearing
funny hats will relax you as you speak.
Reality:
A room full of people wearing funny hats, now that's a terrifying
image. Relaxation in front of an audience comes from confidence. Confidence
comes from planning, practice and perseverence. Just do it!
What's your goal?
No, it's not the grade, that is the
result from achieving your goal, which is dependent on your assignment.
In most cases, your goal is either to:
How do you accomplish either of these?
You first have to keep the audience listening.
If the audience doesn't listen, you can't be successful!
Preparation
Get your act together in the beginning:
-
Know who you're talking
to and talk to them
-
Use words at their level
-
Don't use fancy jargon you got out of
an article just to impress them. It won't work. They'll stop listening.
You lose.
-
Organize what you'll
say so the flow is logical. That means, the audience can follow
what you're saying and keeps listening.
-
Tell them what you're going to tell them.
This is an introduction. Have one.
-
Tell it to them
-
Tell them what you told them. This is
a conclusion. Have one.
-
Less is More.
The less you tell them, the more they will hear and remember.
-
Keep facts to a minimum.
-
You don't impress people with a bunch
of facts. Facts are boring, high snooze factor.
-
Only use facts that support your logical
flow.
Basic Skills in Front of
an Audience
You must connect with your audience.
If they snooze, you lose. Think about some
of your teachers. Which ones kept you awake? Which ones taught you anything?
Which ones did you think were good teachers? Audiences will look at you
the same way.
-
Show some life!
-
Be enthusiastic! An audience will believe
you if you look like you believe in what you're saying. If you look bored,
think how they will feel.
-
Talk like you talk. You don't talk in
a monotone normally, why do it in front of a group?
-
Vary your pitch
-
Vary your tone
-
Slow down and pause between thoughts.
This allows your audience to absorb one idea before jumping on to the next
one.
-
If you have to talk
fast to get it all in, you didn't prepare well.
-
Don't talk to the
board, talk to the audience.
-
Nothing raises the snooze factor like
avoiding looking at your audience.
-
Use overheads, if you can, and point
to the overhead, not the board.
-
If you must point, don't talk with your
back turned.
-
Stop talking
-
Look to the board to point
-
Point with the hand closest to the image
(don't cross your body to point)
-
Turn back to the audience
-
Resume talking
-
Make eye contact with
one person to complete a thought then go to another person. Looking up,
down, at the back wall, etc., doesn't cut it!
-
Look the part
-
Dress like a professional. If you don't
look like you think the presentation is important, how will you get anyone
else to think it is?
-
Don't play with things while you talk.
Pointers, cards, papers are distracting. The audience will focus on the
motion, not the message. You lose.
-
Don't rock from side to side. A seasick
audience isn't listening.
-
Practice, Practice,
Practice, Practice, Practice, Practice
-
All the tips in the world won't make
up for a lack of preparation.
-
The more you practice, the more comfortable
you become with the material and the more confident you will feel.
Visuals and their Use
-
If they can't be read
in the cheap seats, they ain't any good.
-
Portrait orientation
-
Maximum 5 lines
-
5-7 words per line, phrases are enough
-
Large Font
-
KISS (Keep it Simple, Students)
-
Make all your visuals
count.
-
Each must support your purpose. If it
doesn't, don't use it.
-
Visuals can help you show instead of
tell. (i.e. how parts go together, how something works, etc.)
-
Talk to the audience,
not the visual.
-
There is nothing more boring than someone
talking to the board. (Yes, this was said earlier. It's that important!)
-
Make eye contact with
the audience.
-
Don't
-
Copy tables, complicated charts or complicated
diagrams out of books onto overheads. High snooze factor. Pull out what
you need and make a new one.
-
Stand in the way of the projector or
visual. Arrange the room so everyone can see the visual
Basic Non-verbal Communication
-
Know what your body
language is saying.
-
You often say more with your body than
with your words. Learn the message your actions are sending. (That's beyond
the scope of this Handbook.)
-
Make the non-verbal message match the
verbal one.
-
Read the message your
audience is sending. Adjust if are boring them.
-
Don't keep going on and on when audience
members are staring out the window, doodling, closing their eyes or resting
their heads on desks.
-
Get the audience involved.
-
Ask a rhetorical question.
-
Ask a specific question and call on someone.
Pick someone who is paying attention, you don't want to embarrass a classmate
in front of the teacher for not listening. No, you don't. Paybacks will
be worse on you.
-
If no one is listening, ask a question
that you will answer coming up, and tell them you will call on someone
to answer it. This may help to keep people awake because no one wants the
teacher knowing he/she isn't listening.
Conclusion
Presentations are important. Prepare
it well. Practice it. Know how to give it. Read the audience and react
to them. You will do well. You will get good grades, get good jobs, get
big promotions and make lots of money. Be successful.
Attached is an evaluation form
that will be used to evaluate your presentation. No excuses for not doing
well.
Presentation
Evaluation
Individual
Name-- _________________________________________
Date-- _____________
Subject-- _____________________________________________________________
| Characteristic |
(- ) |
ok |
(+) |
| Preparation |
|
|
|
| Defined purpose |
|
|
|
| Shows audience analysis |
|
|
|
| Introduction |
|
|
|
| Hook |
|
|
|
| Told why to listen |
|
|
|
| Body |
|
|
|
| Logical organization |
|
|
|
| Statements supported |
|
|
|
| No glittering generalities |
|
|
|
| Presenting Preparation |
|
|
|
| Room Arranged for best results |
|
|
|
| Equipment setup/works |
|
|
|
| Handouts/slides arranged |
|
|
|
| On Stage |
|
|
|
| Relaxed/unafraid |
|
|
|
| Clear enunciation |
|
|
|
| Heard in cheap seats |
|
|
|
| Variety/emphasis in voice |
|
|
|
| Enthusiasm |
|
|
|
| Characteristic |
(-) |
ok |
(+) |
| Body Language |
|
|
|
| Erect/hands out of pockets/still |
|
|
|
| Eye contact w/audience |
|
|
|
| Note cards/not read |
|
|
|
| Aware of audience |
|
|
|
| Visuals |
|
|
|
| Supported talk |
|
|
|
| 5 bullets max |
|
|
|
| Readable in cheap seats |
|
|
|
| Professional |
|
|
|
| Understandable |
|
|
|
| Not read from |
|
|
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| Face aud. while using |
|
|
|
| Practice, Practice, Practice |
|
|
|
Created by Jeffrey Leaf
Last Update 12/9/98